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Photographic 

Sciences 
Corporation 


23  WEST  MAIN  STREET 

WE?STER,  N.Y.  14580 

(716)  872-4503 


if 


if: 


I 


CIHM/ICMH 

Microfiche 

Series. 


CIHM/ICMH 
Collection  de 
microfiches. 


Canadian  Institute  for  Historical  Microreproductions 


Institut  Canadian  de  microreproductions  historiques 


1980 


Technical  and  Bibliographic  Notes/Notes  techniques  et  bibliographiques 


The 
to  1 


The  Institute  has  attempted  to  obtain  the  best 
original  copy  available  for  filming.  Features  of  this 
copy  which  may  be  bibiiographically  unique, 
which  may  alter  any  of  the  images  in  the 
reproduction,  or  which  may  significantly  change 
the  usual  method  of  filming,  are  checked  below. 


L'Institut  a  microfilm^  le  meilleur  exemplaire 
qu'il  I'ji  a  6t6  possible  de  se  procurer.  Les  details 
de  cet  exemplaire  qui  sont  peut-dtre  uniques  du 
point  de  vue  bibliographique,  qui  peuvent  modifier 
une  image  reproduite,  ou  qui  peuvent  exiger  une 
modification  dans  la  mdthode  normate  de  filmage 
sont  indiqu6s  ci-dessous. 


The 
pos 
of  1 
filrr 


D 


Coloured  covers/ 
Couverture  de  couleur 


□    Covers  damage^/ 
Couverture  endommagde 

□    Covers  restored  and/or  laminated/ 
Couverture  restaurie  et/ou  pellicul6e 


D 
D 


D 


Cover  title  missing/ 


I I    Le  titre  de  couverture  manque 


Coloured  maps/ 


I I    Cartes  g^ographiques  en  couleur 

□    Coloured  ink  (i.e.  other  than  blue  or  black)/ 
Encre  de  couleur  (i.e.  autre  que  bleue  ou  noire) 

□    Coloured  plates  and/or  illustrations/ 
Planches  et/ou  illustrations  en  couleur 


Bound  with  other  material/ 
Relid  avec  d'autres  documents 


Tight  binding  may  cause  shadows  or  distortion 
along  interior  margin/ 

La  reliure  serr^e  peut  causer  de  I'ombre  ou  de  la 
distortion  le  long  de  la  marge  int6rieure 

Blank  ler  os  added  during  restoration  may 
appear  within  the  text.  Whenever  possible,  these 
have  been  omitted  from  filming/ 
II  se  peut  que  certaines  pages  blanches  ajoutdes 
lors  d'une  restauration  apparaissent  dans  le  texte, 
mais,  lorsque  cela  dtait  possible,  ces  pages  n'ont 
pas  6t6  filmdes. 


□    Coloured  pages/ 
Pages  de  couleur 

0    Pages  damaged/ 
Pages  endommagdes 

□    Pages  restored  and/or  laminated/ 
Pages  restaur6es  et/ou  pellicul6«'s 

□    Pages  discoloured,  stained  or  foxed/ 
Pages  ddcolor^es,  tachetdes  ou  piqu6es 

□    Pages  detached/ 
Pages  d6tach6es 

□    Showthrough/ 
Transparence 

□    Quality  of  print  varies/ 
Qualitd  in6gale  de  I'impression' 

□    Includes  supplementary  material/ 
Comprend  du  matdriel  supplementaire 

I      I    Only  edition  available/ 


D 


Seule  Edition  disponible 

Pages  wholly  or  partially  obscured  by  errata 
slips,  tissues,  etc.,  have  been  refilmed  to 
ensure  the  best  possible  image/ 
Les  pages  totalement  ou  partiellement 
obscurcies  par  un  feuillet  d'errata,  une  pelure, 
etc.,  ont  6t6  filmdes  d  nouveau  de  fagon  d 
obtenir  la  meilleure  image  possible. 


Ori( 
beg 
the 
sioi 
oth 
firs 
sioi 
or  i 


The 
she 
TIN 
whi 

Mai 
diff 
enti 
beg 
rtgh 
reqi 
mel 


D 


Additional  comments:/ 
Commentaires  suppldmentaires: 


D 


10X 


This  item  is  filmed  at  the  reduction  ratio  checked  below/ 

Ce  document  est  film6  au  taux  de  reduction  indiqud  ci-dessous. 

14X  18X  22X 


26X 


30X 


V 


12X 


16X 


20X 


24X 


28X 


32X 


The  copy  filmed  here  has  been  reproduced  thanks 
to  the  generosity  of: 

Victoria  University  Library  Toronto 


L'exemplaire  fihn6  fut  reproduit  grfice  d  la 
g6n6rositd  de: 

Victoria  University*  Library  Toronto 


The  images  appearing  here  are  the  best  quality 
possible  considering  the  condition  and  legibility 
of  the  original  copy  and  in  keeping  with  the 
filming  contract  specifications. 


Les  images  suivantes  ont  6x6  reproduites  avec  le 
plus  grand  soin,  compte  tenu  de  la  condition  ot 
de  la  nettetd  de  l'exemplaire  film6,  et  en 
conformity  avec  les  condition^^-  du  contrat  de 
filmage. 


Original  copies  in  printed  paper  covers  are  filmed 
beginning  with  the  front  cover  and  ending  on 
the  last  page  with  a  printed  or  illustrated  impres- 
sion, or  the  back  cover  when  appropriate.  All 
other  original  copies  are  filmed  beginning  on  the 
first  page  with  a  printed  or  illustrated  impres- 
sion, and  ending  on  the  last  page  with  a  printed 
or  illustrated  impression. 


The  last  recorded  frame  on  each  microfiche 
shall  contain  the  symbol      »  (meaning  "CON- 
TINUED "),  or  the  symb   i  V  (meaning  "END"), 
whichever  applies. 


Les  exemplaires  originaux  doni  la  couverture  en 
papier  est  imprimde  sont  filmdit  en  commenpant 
par  ie  premier  plat  et  en  terminant  soit  par  la 
dernidre  page  qui  comporte  uno  empreinte 
d'impressiun  ou  d'illustration,  soit  par  le  second 
plat,  selon  le  cas.  Tous  les  autnas  exemplaires 
originaux  sont  filmds  en  commengant  par  la 
premidre  page  qui  comporte  une  empreinte 
d'impression  ou  d'illustration  et  en  terminant  par 
la  dernidre  page  qui  comporte  une  telle 
empreinte. 

Un  des  symboles  suivants  apparaitra  sur  la 
dernidre  image  de  cheque  microfiche,  selon  le 
cas:  le  symbole  —^'  signifie  "A  SUIVRE",  le 
symbole  V  signifie  "FIN". 


Maps,  plates,  charts,  etc.,  may  be  filmed  at 
different  reduction  ratios.  Those  too  large  to  be 
entirely  included  in  one  exposure  are  filmed 
beginning  in  the  upper  left  hand  corner,  left  to 
right  and  top  to  bottom,  as  many  frames  as 
required.  The  following  diagrams  illustrate  the 
method: 


Les  cartes,  planches,  tableaux,  etc.,  peuvent  dtre 
film6s  d  des  taux  de  reduction  diffdrents. 
Lorsque  le  document  est  trop  grand  pour  dtre 
reproduit  en  un  seul  clich6,  il  est  filmd  d  partir 
de  Tangle  supdrieur  gauche,  de  gauche  d  droite, 
et  de  haut  en  bas,  en  prenant  le  nombre 
d'images  ndcessaire.  Les  diagrammes  suivants 
illustrent  la  mdthode. 


1 

2 

3 

1 

2 

3 

4 

5 

6 

THE  OHAVE-TBEE 

Lit  me  burr  •  ncarlet  muole 

For  the  gT«Te-tr«»  «t  my  herni. 
With  the  qiiiel  >ud  brhind  It, 

In  the  yt«n  when  I  «m  dead 

I/^t  me  hare  it  for  a  atinial. 

Where  the  long  vrimls  stream  and  atream. 
Clear  acrnaa  Ihf  dim  blue  distance, 

LIkii  a  born  blown  In  a  dream; 

Scarlet  when  the  April  »angiiard 

Hnalea  lip  the  jnKxanl  "prlnn. 
Scarlet  when  the  l)annered  autumn 

Marcbea  bj  anwavering. 

It  will  comfort  me  with  honey 
When  the  ahluliia  rlfta  and  iihower< 

,Sweep  B'^ross  the  purple  valley 
And  hrlnu  back  the  forest  flowera. 

I*,  will  be  my  leafy  cabin, 

Larije  enough  when  June  return* 
And  I  hear  the  golden  thrushea 

Flnte  and  healtate  by  turns. 

And  In  fall,  aome  yellow  morning, 

When  the  Htealthy  frost  U  come, 
lieaf  by  leaf  It  will  befriend  me 

An  with  comrades  going  borne. 

Let  me  have  the  Silent  Valley 

And  the  hill  that  fronts  the  east. 
So  that  I  can  watch  the  morning 

Re<lden  and  tbe  stars  released. 

Leave  me  In  the  Great  Tvone  Country. 

For  I  shall  not  be  afraid 
With  the  'hy  moo.se  and  the  beaver 

There  within  my  scarlet  shade. 

I  would  sleep,  but  not  too  soundly. 
Where  the  sunnlnti  partridge  drums. 

Till  the  crickets  hush  before  him 
When  the  Scarlet  Hunter  comes. 

That  will  be  in  warm  Septemtier, 

In  the  stilliiesa  of  the  year, 
When  the  rlverblue  is  deepest 

And  the  other  world  is  near. 

When  the  apples  burn  their  reddest 

And  the  com  is  in  the  sheaves, 
I  shall  s'lr  and  wakeu  lightly 

At  n  footfall  in  the  leaves. 

It  will  be  the  Scarlet  Hunter 

Come  to  tell  me  time  Is  done ; 
On  the  idle  hills  forever 

There  will  stand  the  idle  sun. 

There  the  wind  will  stay  to  whisper 

Many  wonders  to  the  reeds; 
Bnt  I  shall  not  fear  to  follow 

Where  my  Scarlet  Hunter  leads. 

I  shall  know  him  In  the  darkling 

Murmnr  of  the  river  har.«. 
While  his  feet  are  on  the  mountains 

Treading  out  the  smoldering  atars. 

I  shall  know  him  In  the  sunshine. 

Sleeping  in  my  scarlet  tree, 
Long  before  he  halts  Iteside  It 

Stooping  down  to  summon  me. 
Then  fear  not.  my  friends,  to  leave  me 

In  the  boding  autumn  vast; 
There  are  many  things  to  think  of 

When  the  roving  days  arc  past. 

Iieave  me  by  the  scarlet  maple, 
When  the  journeying  shadows  fail. 

Waiting  till  the  Scarlet  Hunter 
Pass  upon  the  endlef*s  trail. 

THE  WIND  AND  THE  TREE. 

The  lover  wind  is  away,  away. 

Leaving  a  sigh  for  the  lady  tree; 
But  his  hesrt  Is  out  in  the  golden  bay 

Trampling  the  peri'ous  floors  of  sea. 

The  lady  tree  from  her  hinely  hill 
Send*  a  sigh  through  the  world  to  roam. 

The  wind's  wild  way,  at  the  wind's  sweet  will . 
But  her  heart  abides  at  home,  at  borne. 

O  lover  wind  and  lady  tree, 
How  the  old  sun  must  laugh  at  you, 

Seeing  all  foolish  things  must  be 
Till  this  round  earth  ia  made  anew. 


SEVEN  WIND  BONOS. 

\oic  thete  nre  Uit  teren  wind  sonfl* 
for  Olaf  UjnruHirri'a  dtaUt, 

Blown  OiroMflh  the  retiU  nf  the  river, 
A  tt0h  of  the  tcortd't  last  breath. 

Where  the  lUcktring  red  oufwo* 
Out  on  the  dark  tireet  hlllt 

Follow  all  ni.{;M  through  the  forest 
Thr  cry  of  the  ithipponniHllf. 

For  the  meanlngt  of  Hie  nre  many. 

But  thf  purpose  of  love  It  one. 
J»i<rnei/(ng,  f.irri/lno,  lonely 

At  the  tea  wind  or  the  tun. 


Wind  of  the  Northern  land, 

Wind  of  the  sea, 
No  more  his  dearest  hand 

Comes  hack  to  me. 

Wind  of  the  Northern  gloom. 

Wind  of  the  sea. 
Wandering  waifs  of  doom         • 

Feckless  are  we. 

Wind  of  the  Northern  land. 

Wind  of  the  sea, 
I  can  not  understand 

How  these  things  be. 

II. 
Wind  of  the  low  red  morn 

At  the  world's  end. 
Over  the  standing  corn 

Whisper  and  bend. 

Then  through  the  low  red  morn 

At  the  world's  end, 
Far  out  from  sorrow's  bourne. 

Down  glory's  trend, 

Tell  the  last  years  forlorn 

At  the  world's  end. 
Of  my  one  peerless-born 

Comrade  and  frien'i. 

III. 

Wind  of  the  April  stars. 

Wind  of  the  dawn. 
Whether  God  nenrs  or  fa.s, 

He  lived  »nd  shone. 

Wind  ot  the  April  night. 

Wind  of  the  dawn. 
No  more  my  heart's  delight 

B  igles  me  on. 

Wind  of  the  April  r.iin, 

W   'd  ot  the  dawn. 
Lull  the  old  world  from  pain 

Till  pain  be  gone. 


Wind  of  the  summer  noon. 

Wind  of  the  hills, 
Gently  the  hand  of  June 

Stays  thee  and  "tills. 

Far  olT,  untouched  by  tears. 

Raptures  or  ills. 
Sleeps  he  a  thousand  years 

Out  on  the  hills. 

Wind  of  the  summer  noon, 

■Wind  of  the  hills. 
Is  the  land  fair  and  boon 

Whither  he  wills' 

V. 
Wind  of  the  gulfs  of  night. 

Wind  of  the  sea. 
Where  the  pale  streamers  light 

My  world  for  me,— 

Breath  of  the  wintry  Norns, 
Frost-touch  or  sleep,— 

He  whom  my  spirit  mourns 
Deep  beyond  deep 

To  tbe  last  void  and  dim 

Where  ages  stream- 
Is  there  no  room  for  blm 

In  all  this  dream  • 

VI. 

Wind  of  the  outer  waste. 

Threne  of  the  world. 
Leash  of  the  stars  unlaced. 

Morning  unfurled, 


Somewhere  at  God's  great  need. 

I  know  not  how. 
With  the  old  strength  and  speed 

He  ia  come  now  ; 

Therefore  my  aoul  Is  glad 

With  the  old  pride, 
Tho  this  small  life  Is  sad 

Hare  in  my  side. 

VII. 
Wind  of  the  driven  snow, 

Wind  of  the  sea. 
On  a  long  trail  and  alow 

Farers  are  we. 

Wind  of  tbe  Northern  gloom. 

Wind  of  the  sea. 
Shall  I  one  day  resume 

HIi  love  for  me  f 

Wind  of  the  driven  snow. 

Wind  of  the  sea, 
Then  should  thy  vagrant  know 

How  these  things  be. 


Thete  nrc  the  seoen  irtnd  «on{7« 

for  Olaf  llJSrward't  rest. 
Prom  the  hdls  of  the  Scarlet  Uunter 

And  the  trail  of  the  endless  quM. 

The  u'cllt  of  the  tunrlte  hearken. 

They  u<ilt  for  a  year  and  a  day 
Only  the  calm  ture  thruthe* 

Flutlno  the  world  away! 

For  the  hntk  of  life  i»  sorroic ; 

But  the  kernels  of  joy  remofn, 
Tccmlni;  and  blind  ami  eternal 

A»  the  hill  wind  or  the  roln. 
ai.  tvovar,  ism. 

OVERtOED. 

irvh'lia  KV/HOV  ct'  hif. 
LoRn  of  the  graas  and  hill. 

Lord  of  the  rain, 
White  overlord  of  will. 

Master  of  psin, 

I  who  am  dust  and  air 
Blown  through  the  halls  of  death 

Like  a  pale  ghost  of  prayer— 
I  am  thy  breath. 

Lord  of  the  blade  and  leaf. 

Lord  of  the  bloom, 
Sheer  overlord  of  grief. 

Master  of  doom. 

Lonely  as  wind  or  snow, 
ThrL  igh  the  vague  world  and  dli» 

Vagrant  and  glad  I  go; 
I  am  thy  whim. 

liOrd  of  the  storm  and  lull. 

Lord  of  the  aea, 
I  am  thy  broken  gull 

Blown  far  alec. 

Lord  of  the  harvest  dew. 

Lord  of  tbe  dawn, 

Star  of  the  paling  blue 

Darkling  and  gone. 

Lost  on  the  mountain  height 
Where  the  first  winds  are  stirred. 

Out  of  the  wells  of  night 
I  am  thy  word. 

Lord  of  the  haunted  hush 

Where  raptures  throng, 
I  am  thy  hermit  thrush 

Ending  no  song. 

Lord  of  the  frost  and  cold. 

Lord  of  tbe  north. 
When  the  red  sun  grows  old. 

And  day  goes  forth, 

I  shall  put  off  this  girth- 
Go  glad  and  free. 

Earth  to  my  mother  earth, 
Spirit  to  thee. 

As  these  verses  an  printed  for  private  circulation  only.  It  Is 
rei|ue»le(l  that  yoo  will  guard  against  their  appearance  In  tht 
pabllc  press. 


BuuCARVAa 


>BW  VOBI  I  ITT. 

.sirrSMBia.  IfM. 


